SIVAYA NAMA
THIRUMAYILAPURE
Eastern side Rajakopuram |
Kapaleeswarar
Temple: Kapaleeswarar Kovil is situated in Mylapore, Chennai. About 2 KM from the sea. This temple one of the oldest. It was first built on the sea shore, when the Portuguese captured Mylapore in 1566
AD they demolished the temple.Tiruvalluvar and Peyalwar lived
Mylapore. Mylapore was a seaport and a trade centre is supposedly more than 200
years old. Centuries later the temple was built in the
present place in Vijaya Nagar tradition indicates the present structure could
have been built by king of Vijaya Nagram. The temple is famous for its
sculptures
- Swamy: Arulmigu Kapaleeswarar
- Ambal: Arulmigu Karpagambal
- Sthala Viruksham : Punnai Maram
- Theertham: Kapali Theertham
Lord Siva and Karpagambal :
As per Hindu mythology, Parvathi the consort of Siva performed penance and worshipped Kapaleeswarar in the form of a Peacock ( மயில் ) – and hence the name of the place Mylapore. Kapaleeswarer is the presiding deity. In the Puranas, Lord Shiva is the guru of his divine consort, Parvati Devi. The legend says that the Ambal here, Karpagambal wanted to know the full meaning of the five lettered Mantra – Na Ma Si Va Ya – ( ஐந்தெழுத்து மந்திரம் - நமசிவாய ) and the glory of the sacred ash ( திருநீர் / விபூதி ). While Lord Siva teaching her, Ambal was attracted by a peacock dancing before her.Lord Siva was upset and cursed her to become a peahen. To get relief from this curse, she would join her after she worshipped him in the form of a Shiva Lingam3under a Punnai tree ( Alexandrian laurel ). After many years of searching, the peahen finally found such a Shiva Lingam in Mylapore (Southern Chennai). She then worshipped her Lord in this form, offering him flowers that she carried in her beak. Fulfilling his promise, Lord Siva released her from the curse and accepted her as his consort. He named her as Karpagavalli.As requested by Karpagavalli Ambal, Lord approved the name of the place as Mayilai, Later it becomes Thirumayilai and Mylapore.
Brahma and Siva :
Kapaleswarar (kapala + Eswarar) literally means "The Lord with the skull-bowl." Here, Shiva is depicted standing with an ascetic's bowl in the form of a skull in his hand. The skull is supposed that of the fifth head of Lord Brahma. Shiva is said to have plucked off Brahma's fifth head to teach him a lesson and to check his pride . Brahma represents the creation principle, and Siva represents destruction. The story symbolises how everything that is created must one day be destroyed. Furthermore, Siva's kapalam represents how the universe at end of a cosmic cycle is resolved into seed form. Then, from this kapalam, eventually springs forth the next creation.Kapalam in Tamil means skull, hence Lord Siva was praised as Kapaleeshwarar and the place is called KAPALEESWARAM.
As per Hindu mythology, Parvathi the consort of Siva performed penance and worshipped Kapaleeswarar in the form of a Peacock ( மயில் ) – and hence the name of the place Mylapore. Kapaleeswarer is the presiding deity. In the Puranas, Lord Shiva is the guru of his divine consort, Parvati Devi. The legend says that the Ambal here, Karpagambal wanted to know the full meaning of the five lettered Mantra – Na Ma Si Va Ya – ( ஐந்தெழுத்து மந்திரம் - நமசிவாய ) and the glory of the sacred ash ( திருநீர் / விபூதி ). While Lord Siva teaching her, Ambal was attracted by a peacock dancing before her.Lord Siva was upset and cursed her to become a peahen. To get relief from this curse, she would join her after she worshipped him in the form of a Shiva Lingam3under a Punnai tree ( Alexandrian laurel ). After many years of searching, the peahen finally found such a Shiva Lingam in Mylapore (Southern Chennai). She then worshipped her Lord in this form, offering him flowers that she carried in her beak. Fulfilling his promise, Lord Siva released her from the curse and accepted her as his consort. He named her as Karpagavalli.As requested by Karpagavalli Ambal, Lord approved the name of the place as Mayilai, Later it becomes Thirumayilai and Mylapore.
Brahma and Siva :
Kapaleswarar (kapala + Eswarar) literally means "The Lord with the skull-bowl." Here, Shiva is depicted standing with an ascetic's bowl in the form of a skull in his hand. The skull is supposed that of the fifth head of Lord Brahma. Shiva is said to have plucked off Brahma's fifth head to teach him a lesson and to check his pride . Brahma represents the creation principle, and Siva represents destruction. The story symbolises how everything that is created must one day be destroyed. Furthermore, Siva's kapalam represents how the universe at end of a cosmic cycle is resolved into seed form. Then, from this kapalam, eventually springs forth the next creation.Kapalam in Tamil means skull, hence Lord Siva was praised as Kapaleeshwarar and the place is called KAPALEESWARAM.
Lord Murugan and Surapadman:
Lord Murugan performed penance in this temple before waging his war against Surapadhman. Kapaleeswarar and Karpagambal blessed their son and gifted him the weapon Vel (வேல்). Lord Murugan defeated the demon and made him as peacock. He used the peacock as his vahanam. He returned triumphantly as Singaravelan. Lord Singaravelan grant dharshan with his consorts Valli and Deivanai sitting on Iravadham. This is a rare darshan.
Poompavai and Thirugnanasambandar:
The first Tamil literature on this holy soil was the sung by the Saint Tirugnana Sambandar beginning with the line ‘Mattitta Punnayam Kanal’. These are the lines that brought Poompavai, daughter Sivanesar back to life who died of snake bite while plucking flowers for Siva Puja.
The story goes that one day a girl by the name of Poompavai was gathering flowers in a garden for the daily worship when she was bitten by a poisonous snake and died. Her father, a merchant named Shivanesan Chettiar, had deep faith in Tiru Gnanasambandar.
After her cremation, Shivanesan Chettiar placed his daughter's ashes in a pot with the firm conviction that the saint would resurrect her when he came to through the area in the near future. Indeed, when Tiru Gnanasambandar to the Kapaleswarar Temple, Sivanesan Chettiar approached him with his daughter's ashes. Hearing the man's sad tale, Tiru Gnanasambandar heart overflowed with compassion. He then broke out in a spontaneous 10-versed hymn in praise of Siva in the form of Kapaleswarar. When he reached the final verse, Poompavai emerged from the pot alive and well.
Tiru Gnanasambandar did not cast even a glance at Poompavai, the beautiful young lady he had brought back to life. Instead, he attributed the miracle to the grace of Lord Siva, claiming no responsibility of his own. Sivanesan Chettiar offered Poompavai's hand in marriage to the saint. However, Sambandar could not accept Poompavai for his wife as requested by her father, as he himself had now become her father by restoring her to life back. Poompavai spent the rest of her life as a virgin serving Lord Siva and attained the feet of Lord Siva.
It is also believed that Lod Brahmma, Vedas, Sukkiran and Ramar worshipped Lord Siva here.
Lord Murugan performed penance in this temple before waging his war against Surapadhman. Kapaleeswarar and Karpagambal blessed their son and gifted him the weapon Vel (வேல்). Lord Murugan defeated the demon and made him as peacock. He used the peacock as his vahanam. He returned triumphantly as Singaravelan. Lord Singaravelan grant dharshan with his consorts Valli and Deivanai sitting on Iravadham. This is a rare darshan.
Poompavai and Thirugnanasambandar:
The first Tamil literature on this holy soil was the sung by the Saint Tirugnana Sambandar beginning with the line ‘Mattitta Punnayam Kanal’. These are the lines that brought Poompavai, daughter Sivanesar back to life who died of snake bite while plucking flowers for Siva Puja.
The story goes that one day a girl by the name of Poompavai was gathering flowers in a garden for the daily worship when she was bitten by a poisonous snake and died. Her father, a merchant named Shivanesan Chettiar, had deep faith in Tiru Gnanasambandar.
After her cremation, Shivanesan Chettiar placed his daughter's ashes in a pot with the firm conviction that the saint would resurrect her when he came to through the area in the near future. Indeed, when Tiru Gnanasambandar to the Kapaleswarar Temple, Sivanesan Chettiar approached him with his daughter's ashes. Hearing the man's sad tale, Tiru Gnanasambandar heart overflowed with compassion. He then broke out in a spontaneous 10-versed hymn in praise of Siva in the form of Kapaleswarar. When he reached the final verse, Poompavai emerged from the pot alive and well.
Tiru Gnanasambandar did not cast even a glance at Poompavai, the beautiful young lady he had brought back to life. Instead, he attributed the miracle to the grace of Lord Siva, claiming no responsibility of his own. Sivanesan Chettiar offered Poompavai's hand in marriage to the saint. However, Sambandar could not accept Poompavai for his wife as requested by her father, as he himself had now become her father by restoring her to life back. Poompavai spent the rest of her life as a virgin serving Lord Siva and attained the feet of Lord Siva.
It is also believed that Lod Brahmma, Vedas, Sukkiran and Ramar worshipped Lord Siva here.
Moolavar Arulmigu Kapaleeswarar |
About the Temple:
The Kapaleeshwarar temple is of typical Dravidian Architecture style, with the Kopuram overpowering the street on which the temple sits. This temple is also a testimonial for the vishwakarmas sthapathis. There are two entrances to the temple marked by the Kopuram on either side. The east Kopuram has nine tiers and about 40 m hight, while the smaller western gopuram faces the sacred tank. The temple is surrounded by four Mada Streets.There is a large tank on the western side of the
temple.
While entering through the eastern side one can get the darshan of Vinayakar. All the Uthsava Murthys decorated on the Mandapam on the northern side of the eastern kopuram and all festivals are conducted through the eastern enterance. After worshiping Vinayagar while proceeding on the pragaram Singaravelar shrine is there facing west. Further on the left side Veda mandapam is there. On the left side of the mandapam Palani Andavar shrine and Vayilar Nayanar shrine are there.
In front of the Swamy Sannathi the gold plated Flag Mast (கொடிமரம்), Bali Peedams and Maha Nandhi are there. From the mahamandapam one can see both Karpagambal and Kapalleeswarar from one place. Swamy facing west and Ambal facing south. Both Swamy and Ambal shrines have separate inner pragarams.
Kapaleeswarar Swaymy is a Syuambu Lingam in a raised position and visible to a wide spectrum. The Lingam is big and majestic. In the inner pragaram Natarajar, Chandrashekar, Dakshanamurthy, 63 Nayanmars and Somaskandar with Ambal uthsava murtys and parivara gods are there. All are clean and beautiful.
Karpagambal Ambal blessing all the devoties in the standing posture. The beauty of her is such one may not willing to go away from her shrine. When coming out next to the inner side of the western entrance Poombavai shrine is there. On the northern pragaram Navagraha shrine and Sthala viruksham Punnai Maram are there.
Uthsavar Arulmigu Kapaleeswarar |
Arulmigu Kapaleeswarar - Vasantha Uthsavam
This photograph was taken from the web
|
Vayilar Nayanar:
Vayilar Nayanar was a Vellala by caste. He belonged to Mylapore. He was a devout Siva bhakta. He constructed temples mentally and did manasa puja (mental worship). Vayilar built the temple of non-forgetfulness, lit the shining lamp of self-illumination, bathed the Lord in the waters of immortal ananda (bliss) and worshipped Siva with the elixir of supreme love. Thus, Vayilar obtained salvation.
Here is the life of a para bhakta — a supreme devotee. He had transcended the stage of idol worship. He had attained great purity of heart and clarity of inner psychic vision so that, without the aid of a symbol and without the help of rituals, he could raise his mind to the sublime heights of the Abstract.
The inclusion of this wonderfully simple life of Vayilar Nayanar is to point out that devotion is of many types, to suit the taste and temperament of different individuals. Whatever be the path the devotee chooses, ultimately they reach the same goal — union with Lord Siva. The Hindu sages have always declared that the spiritual path is not a stereotyped one. The Hindu spiritual path is not the same drug for all diseases; it is not the same food for all people at all ages (from infancy to old age!), but rather, the Hindu path is spiritual life adapted (within broad limits) to the needs of each individual. Everyone pursues the path (or the combination of paths) suited to him and ultimately reaches the same goal.
References:
Sekkilaar, and G. Vanmikanathan. Periya Puranam — A Tamil Classic On The Great Saiva Saints of South India. Ed. Dr. N. Mahalingam. Chennai: Sri Ramakrishna Math, 2000.
Sivananda, Swami. Sixty-Three Nayanar Saints. World Wide Web edition. India: Divine Life Society, 1999.
Pathigams:
Great Saiva Saint Tirugnana Sambandar had sung the glory of Lord Kapaleeswarar in his Thevara Pathigams. Arunagirinathar sung about Myilai in his Thiruppugazh. Vallalar Ramalinga Swamy mentioned in his Thiruvarutpa. |
engal sthala varalaru pathivitathil perumithamkolkirom, ithagaya magathuvamvayntha seyalgal purigindra neengal,karuvaraigalai padam eduthu veliyiduvathu varuthathai alikiradhu. Thayavu seidhu moolavar pugaipadam pathivetilirundhu neekungal
ReplyDeleteHindu parambaryum matrum marabugalai potri paathugaka vendiya porupu nam anaivarukum undu, thayavu seithu mylai vazhai bakthargal unarvugaluku mathipalithu, moolavar pugaipadathinai ungal pathivetilirundhu neekungal.
ReplyDeleteRemove this pic urgently and don't post any pivd like that
ReplyDeletePlease remove Moolavar Picture, taking photography of karbagraham is highly condemnable.
ReplyDeleteதங்கள் விளம்பரத்திற்காக பக்தர்கள் நம்பிக்கை மற்றும் இந்துமத பாரம்பரியத்தை பாழ்படுத்தாதீர்.
ReplyDeleteசைவம், அரூப வழிபாட்டில் நாட்டம் கொண்டது, அதன் தாத்பர்யமே சிவலிங்க வழிபாடு, அவ்வாறிருக்க புகைப்படம் எடுப்பதை ஊக்குவிப்பது வருத்தமளிக்கின்றது. தயவு செய்து கருவறை புகைப்படத்தினை தங்கள் பதிவிலிருந்து நீக்குமாறு திருமயிலை(மயிலாப்பூர்) வாழ் அன்பர்கள் சார்பாக கேட்டுக்கொள்கிறேன்.
ReplyDeleteஇன்றைய நவீன உலகில் ஆலயம் சென்று இறைவனை வணங்குவதை விட, கைபேசி கொண்டு புகைப்படம் எடுப்பதிலேயே அதிக ஆர்வம் கொண்டுள்ளனர். கருவறைக்குள் வீற்றிருப்பது இறைவன் என்பதை மறந்து selfie எடுக்கும் பண்பு பரவிக்கொண்டுவருகிறது. இதை ஊக்குவிக்கும் வகையில் அமைந்திருக்கும் மூலவர் புகைப்படத்தினை தயவு செய்து நீக்குமாறு கேட்டுக்கொள்கிறேன்.
ReplyDeleteAchirupakkam
ReplyDeleteதயவுசெய்து கருவறை படத்தை நீக்குமாறு கேட்டுக்கொள்கிறோம்
ReplyDeleteநீங்கள் திருமயிலை ஸ்தல வரலாற்றை எடுத்துரைப்பதில் மிக்க மகிழ்ச்சி.சுவாமி மீது பற்று கொண்ட தாங்கள் கருவறையை புகைப்படம் எடுத்து பதிவிறக்கம் செய்யலாமா???? நேரில் சென்று வழி படும் மூலவரை எதற்காக புகைப்படம் எடுத்து இறைவனின் பூரணத்துவத்தை அவமதிக்கின்றீர்கள் தயவு செய்து மூலவர் புகைப்படத்தை இந்த செயலியில் இருந்து நீக்கும் படி கேட்டுக்கொள்கிறேன்
ReplyDeletePlease remove the garbagraham photo
ReplyDeleteமூலவர் புகைபடத்தை நீக்குமாறு கேட்டுக்கொள்கிறோம்
ReplyDeletePlease remove moolavar pic
ReplyDeleteதயவுசெய்து கருவறை படத்தை நீக்குமாறு கேட்டுக்கொள்கிறோம்
ReplyDeleteதயவுசெய்து கருவறை படத்தை நீக்குமாறு கேட்டுக்கொள்கிறோம்
ReplyDeleteதங்கள் விளம்பரத்திற்காக பக்தர்கள் நம்பிக்கை மற்றும் இந்துமத பாரம்பரியத்தை பாழ்படுத்தாதீர்.
ReplyDeletePlease remove Moolavar Picture, taking photography of karbagraham is highly condemnable.
ReplyDeleteமூலவரின் புகைபடத்தை நீக்குமாறு கேட்டுக்கொள்கிறேன்
ReplyDeleteமூலவரின் புகைப்படத்தை நீங்கள் பதிவு செய்தது தவறு.
ReplyDeleteஉங்கள் பக்தியினை புலப்படுத்த எவ்வளவோ வழிகள் உள்ளது. அதை விட்டு மூலவரின் புகைப்படத்தை பதிவு செய்து புலப்படுத்த வேண்டும் என்ற அவசியம் கிடையாது.இதனால் எந்த பயனும் கிடையாது
ReplyDeleteதயவுசெய்து மூலவர் புகைப்படத்தை மட்டும் நீக்கி விடுங்கள்
ReplyDeleteகர்பகிரகத்தை புகைப்படம் எடுப்பது தவறு
ReplyDeleteநீங்கள் செய்த இந்த செயல் கடவுளை உதாசீனம் செய்ததற்கு சமம். கடவுளை அவமானம் செய்ததற்கு சமம்.
ReplyDeleteமூலவரின் புகைப்படத்தை நீக்கி விடுங்கள்
ReplyDeleteஇந்த தவறை செய்து விட்டு நீங்கள் செய்யும் எந்த திருப்பணியாக இருந்தாலும் எத்தனை முறை சிவபுராணம் ஓதினாலும் அது பயனற்றது
ReplyDeleteமூலவரின் புகைப்படத்தை நீக்கி விடுங்கள் என்ற எங்களின் கருத்துக்களை பதிவு செய்தும் இன்னும் நீக்காமல் இருப்பது ஏன்????
ReplyDeleteகண்டும் காணாமல் உள்ளீரா?????
ReplyDeleteமூலவரின் புகைப்படத்தை நீக்கி விடுங்கள்
ReplyDeleteமூலவரின் புகைப்படத்தை நீக்கி விடுங்கள்
ReplyDeleteமூலவரின் புகைப்படத்தை நீக்கி விடுங்கள் என்ற எங்களின் கருத்துக்களை பதிவு செய்தும் இன்னும் நீக்காமல் இருப்பது ஏன்????
ReplyDeleteநீங்கள் திருமயிலை ஸ்தல வரலாற்றை எடுத்துரைப்பதில் மிக்க மகிழ்ச்சி.சுவாமி மீது பற்று கொண்ட தாங்கள் கருவறையை புகைப்படம் எடுத்து பதிவிறக்கம் செய்யலாமா???? நேரில் சென்று வழி படும் மூலவரை எதற்காக புகைப்படம் எடுத்து இறைவனின் பூரணத்துவத்தை அவமதிக்கின்றீர்கள் தயவு செய்து மூலவர் புகைப்படத்தை இந்த செயலியில் இருந்து நீக்கும் படி கேட்டுக்கொள்கிறேன்
ReplyDeleteகண்டும் காணாமல் உள்ளீரா?????
ReplyDeleteதயவுசெய்து மூலவர் புகைப்படத்தை மட்டும் நீக்கி விடுங்கள்
ReplyDeleteதயவுசெய்து மூலவர் புகைப்படத்தை மட்டும் நீக்கி விடுங்கள்
ReplyDeletePls remove moolavar photo
ReplyDeleteதயவுசெய்து மூலவர் புகைப்படத்தை மட்டும் நீக்கி விடுங்கள்
ReplyDeleteஉங்கள் பக்தியினை புலப்படுத்த எவ்வளவோ வழிகள் உள்ளது. அதை விட்டு மூலவரின் புகைப்படத்தை பதிவு செய்து புலப்படுத்த வேண்டும் என்ற அவசியம் கிடையாது.இதனால் எந்த பயனும் கிடையாது
ReplyDeleteதயவுசெய்து மூலவர் புகைப்படத்தை மட்டும் நீக்கி விடுங்கள்
ReplyDeleteSir Is it necessary to post moolavar photo or take moolavar picture in camera.
ReplyDeletePls don't post moolavar photo of Lord Kapaleeshwarar temple and remove that photo
ReplyDelete